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Uptown Magazine - Winnipeg's Online Source for Arts, Entertainment & News
June 3, 2004
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CD Reviews
The Catheters
Howling... It Grows and Grows!!!
(SubPop)

B-

The Catheters

Website: www.thecatheters.com
The Catheters’ latest contribution of angry, noise-experimentalist punk takes us back to the days when slammed bedroom doors led to loud, music that we knew was guaranteed to offend our parents’ delicate sensibilities. What The Catheters offer here is the squealing, screaming voices that helped us forget the hard days of youth. Howling... It Grows and Grows!!! fires out of the gate with an unstable, musical squall in Natural Law. The disc later features the raucous, fever-pitched squeal of vocalist Brian Standeford in Brave Drum and the pleasantly chaotic Reaction. The only complaint here is the lack of a message — or any direction at all — but what this disc lacks in intelligence it makes make up in intensity.

Joseph Morton
High Holy Days
All My Real Friends
(Roadrunner Records)

B+

High Holy Days

Website: www.highholydays.ca
Great vocals. Great lyrics. Great band. With a hard rock vibe and the raw emotion of Default, it’s no wonder that High Holy Days is already burning up the charts across Canada. But does this rock band have anything new to bring to the music scene? After coming together in North Bay, Ont., in 2000, the band has already played with some of today’s most successful Canadian rock artists, including Our Lady Peace, I Mother Earth, Theory of a Dead Man and Sam Roberts. Their debut album intertwines lead singer Marc Arcand’s thick vocals with passionate lyrics and guitar instrumentals. On the title track and first single, the band demonstrates its potential for honest and heartfelt rock. The choruses are catchy and the sound is real. The band’s upcoming tour will surely thrust it further into the spotlight, but the real challenge will be differentiating their sound from a slew of other bands that can offer the same talent.

Jen Skerritt
Peter Himmelman
Unstoppable Forces
(Himmasongs)

C

Peter Himmelman

Website: www.peterhimmelman.com
Former Minneapolis native Peter Himmelman delivers his plaintive, heart-on-sleeve, troubled-troubadour musings to great effect on his latest two-CD work. Nothing sets this guy apart from many others in this style — he is as prolific as the day is long and knows his fans will eat this stuff up with a hanky and a sneer. Lyrically Himmelman captures all the deep feelings of any middle-aged guy with a heart of gold. So Many Little Lies has a great hook and a guitar figure at the bridge that is at least as good as those by any other American folk-rocker you could name. There’s at least one lyric or two in every song that will ring true for anyone in any kind of relationship, and for that Himmelman should be recommended. The second disc features demos and rarities from across the man’s lengthy career.

Jeff Monk
John and the Sisters
John and the Sisters
(Northernblues Music)

B

John and the Sisters

Website: www.northernblues.com
John and the Sisters is Canadian guitar heavyweight Kevin Breit and a very talented backing band including whisky-voiced belter John Dickie. Breit has been knocking around the Canuck music scene with his sibs as The Breit Brothers, and when he performs on his own he travels a kind of Ry Cooder-esque, songwriter/ guitarist path. This album tilts its cocky cap toward the blues, but only in the simple and direct vibe of the songs. The first half of the album stumbles and shakes mightily with the kind of gritty essence that makes Blackie and the Rodeo Kings so entertaining. Breit is a consummate player, and when he puts his mind to being really down and dirty it pays off. The Sisters shift between mean and moody vibes easily, making this one cool listen.

Jeff Monk
New Found Glory
Catalyst
(Geffen)

C-

New Found Glory

Website: www.newfoundglory.com
Catalyst begins a chorus of punk yells over layered guitars, and then quickly devolves into a modern version of the Minipops. The vocals are the culprit here, with Jordan Pundik’s seemingly pre-pubescent and helium-fuelled singing adding a dose of sugar that removes all edge from this disc. It’s possible this Florida pop-punk (emphasis on pop) quintet could rock out, but it’s too hard to tell with Pundik singing lyrics to the tune of nursery rhymes (see I Wanna Know). Occasionally, some heavier vocals kick in and pique the interest, but these moments are too few to matter. This band falls into the same category as Yellowcard, and if that sort of fluff turns your crank, then by all means pick this up. For those looking for something with a little grit, bypass this and head for 1208 and Outlie.

Mike Warkentin
Panurge
Throw Down the Reins
(Nettwek)

B

Panurge

Website: www.panurge.net
Cover art aside, Panurge’s sophomore CD (and first for Nettwerk) is a dreamy and psychedelic trip into the far reaches of pop songwriting. Incorporating samples, scratching and electronics into a mix of soft vocals and guitars, Panurge joins Beck, Pink Floyd and others in that edgeless fuzzy universe somewhere beyond the dark side of the moon. Don’t be mistaken by the eclectic nature of this disc; it isn’t one of those annoying non sequitur conglomerations of various styles. Throw Down the Reins simply fits together in a smooth package that works for easy pop listening or consciousness expansion. Standout tracks Sweet Fannie Annie and Mixed Cavalry represent the pop side of an album that successfully charts a course all over the musical map. Check Panurge out on June 6 at the Pyramid Cabaret.

Mike Warkentin
Slipknot
Vol. 3: The Subliminal Verses
(Roadrunner)

B+

Slipknot

Website: www.slipknot1.com
The latest offering from Slipknot starts off in with a dreamy melodic track — only to lull you to sleep so the rest of the disc can stomp a hole in your skull. These guys are creepier members of the gimmick-metal club, but there is no doubt that they can throw down some heavy, heavy shit on tracks such as The Blister Exists and Welcome. There are some melodic moments and changes of pace here, but they only serve to set the table for the feast of bass-heavy riffs, thunderous beats, screaming harmonics and hoarse vocals. Behind the grim masks, there are eight bangers who know how to turn heavy and tuneless sludge into a head-thrashing slam-fest. This is the kind of metal you’re going to want to be listening to when that mall-punk in his daddy’s SUV cuts you off and then gives you the finger.

Mike Warkentin
The Thermals
Fuckin A
(Subpop)

C+

The Thermals

Website: www.subpop.com
The first two songs (Air Trip and Every Stitch) are a continuous and seemingly seamless segue of recycled drums and distortion guitars set in overdrive — and that’s it. Musically, if you’ve heard the first two songs you’ve heard most of what this album has to offer. Aside from a few deviations in the middle of the disc, the formulaic-sounding percussion and guitars are predictable and monotonous. Said deviations include A Stare Like Yours (a bit of catchy, lo-fi, feedback-laden pop candy) and God and Country (which distracts from the band’s formulaic instrumentation with thoughtful, bold lyrics). Despite the occasional bout of catatonia, the raw sound (the band calls it No-Fi) of every squeaky guitar bridge and raucous bite of amp feedback gives some assurance that this could’ve been recorded in someone’s garage.

Joseph Morton
Various Artists
Modern Day Troubadours
(Nettwerk)

B

Modern Day Troubadours

Website: www.nettwerk.com
What a cool concept. Collect some of the most name-checked, somewhat musically connected singer-songwriters on one tidy compilation and donate some of the proceedings to Big Brothers Big Sisters. Opening track Beauty, by the angelic-sounding David Mead, sets the tone of the album in a very lovely fashion. Sondre Lerche’s stirring Sleep On Needles follows to complete a pretty inviting tandem. Throw in a classic Johnny Cash weeper, a Jay Farrar barroom lurch, some airy gold from Ron Sexsmith (From Now On) and ringer Daniel Lanois (I Love You), and you have a spot-on sensitive-guy listening experience. The clincher on this collection is the mid-album appearance of Bob Dylan’s One More Cup of Coffee from the 1975 classic Desire. Now you can support a worthy organization and get some music schooling at the same time. Nice.

Jeff Monk
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