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Uptown Magazine - Winnipeg's Online Source for Arts, Entertainment & News
October 7, 2004
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CD Reviews
Brian Setzer Orchestra
The Ultimate Collection
(Surfdog Records)

B

Brian Setzer Orchestra

Website: www.briansetzer.com
Yeah, I know swing isn’t cool anymore. Since Vince Vaughan stopped telling people they were money, this genre has been getting a solid string of wingtips to the crotch. Be that as it may, putting a tight band of 25 musicians onstage and recreating the atmosphere of another era is no small feat. And Brian Setzer himself can play a pretty mean six-string. This live, two-disc set features one concert from Montreal and one from Tokyo — a total of 31 tracks, 30 of which were not on GAP commercials. Of course you get Jump, Jive an’ Wail, but you also get James Bond Theme, Hawaii Five-O, Stray Cat Strut and a host of other retro tunes that prove both the musicianship of the players and their love for this music. Maybe it isn’t cool, but it kinda still is.

Mike Warkentin
Hot Water Music
The New What Next
(Epitaph)

B

Hot Water Music

Website: www.hotwatermusic.com
Veteran post-hardcore outfit Hot Water Music is back with its sixth full-length, serving up 12 melodic tracks that still have their roots in punk. Characterized by the harmonies of Chris Wollard and Chuck Ragan, The New What Next is a disc that has a thick, layered sound only grasped through repeated listens. Beneath the melody one can often find another guitar meandering off in the sonic distance, adding an almost imperceptible colour to tracks such as Under Everything. Despite that accentuated undertow, this effort is certainly isn’t exactly uplifting. In fact, after hearing lines such as “And this town with its burning air and downpours every day is weighing hard on me” (from The Ebb and Flow), you might wonder if this band spent summer in Manitoba.

Mike Warkentin
Various Artists
The Unbroken Circle: The Musical Heritage of the Carter Family
(Dualtone)

B+

The Unbroken Circle: The Musical Heritage of the Carter Family

Website: www.dualtone.com
Have you ever wondered why a group that began recording in 1927 would be the focus of a multi-artist tribute compilation in 2004? The Carter Family (Alvin Pleasant, his wife Sara and sister-in-law Maybelle Addington Carter) sold over a million copies of Wildwood Flower in 1928, recorded over 300 songs, and their family tree bears quality musical fruit to this day. The 15 tracks here feature a varied array of superstar performers including George Jones, Marty Stuart, John Prine, Emmylou Harris, and The Del McCoury Band. John Carter Cash lovingly produced the set, and there’s even a couple of haunting tracks sent from beyond the grave by Johnny Cash (Engine 143) and June Carter Cash (Gold Watch and Chain). Everyone sticks to the rural program here — except for John Prine, who pulls out a cooking version of Bear Creek Blues. A history lesson worth hearing.

Jeff Monk
Dolly Parton
Live and Well
(Sugar Hill)

B+

Dolly Parton

Website: www.sugarhillrecords.com
When it comes to country music legend Dolly Parton, two things make her stand out above the teeming masses of country artists: Her voice and the fact that she writes many of her own songs. By withdrawing from the Nashville grinder Parton has rejuvenated her career many times over. This two-disc set was recorded live at Parton’s own Dollywood Celebrity Theatre, and the audience is totally enraptured throughout. Pacing is everything, and along with Parton’s aw-shucks style and stage banter, the mix of weepers and wailers works. To her credit, Parton and her stellar band have a complete lock on this show — her voice and the subtle tricks she can do with it are breathtaking. There’s a good mixture of classic Parton hits, such 9 to 5 and the like, but it’s the newer tracks that make you realize that Parton is truly alive and doing very well.

Jeff Monk

 

Brian Wilson
presents Smile
(Nonesuch)

A

Brian Wilson

Website: www.nonesuch.com
Some critics are mistakenly treating Brian Wilson’s presentation of his finally completed, decades-old masterwork Smile as if it was just another new release. Wilson has parlayed his recent popular live resurgence into the confidence he needed to flip back the hands of time and revisit what was a troublesome period for the gifted genius. Smile needs to be set aside and viewed as the singularly amazing piece of work that it is — a modern song cycle (“teenage symphonies to God” as Wilson has put it). The album was conceived to be heard as a complete composition — and as such Smile is undeniably a full-blown classic. Heroes and Villains majestically informs the first part of the suite and, as the album progresses, it’s apparent that Wilson — for all his foibles and madness — has delivered the jewel that has dogged him all these years.

Jeff Monk
Marilyn Manson
Lest We Forget — The Best of
(Interscope)

A

Marilyn Manson

Website: www.marilynmanson.com
Could it be... Satan? Nope, it’s Marilyn Manson, back with another disc bound to get a whole host of middle-Amercian panties in self-righteous knots. This best-of collection spans the last 10 years and contains hits such as The Dope Show, The Beautiful People and Tourniquet. Also included are covers of Tainted Love, Personal Jesus and Sweet Dreams, as well as Long Hard Road out of Hell. Manson may be a carefully orchestrated caricature out to shock everybody into working for his marketing department, but this collection proves that Marilyn and co. can truly make a song their own and did indeed write some pretty cool industrial metal. Replete with creepy artwork and an evil DVD, this set is worth picking up, even for fans. Of course, you’re going to Hell if you do.

Mike Warkentin
John Fogerty
Deja Vu All Over Again
(Geffen)

B+

John Fogerty

Website: www.johnfogerty.com
John Fogerty recently performed songs from this album on the highly respected U.S. roots-rock television program Austin City Limits. He put on an amazing performance full of energy and smart pacing — just like this album. The title track opens the disc as Fogerty pulls from his own back catalogue and updates convincingly the anti-war sentiments originally expressed in Have You Ever Seen The Rain. Similarly, Nobody’s Here Anymore comments on cell phone/SUV disconnect and Fogerty’s dismay at the loss of humanity in the face of technology and speed-of-light lifestyles. She’s Got Baggage and In The Garden are full-tilt burners proving that even after seven years out of the game, Fogerty has lost none of his ever-youthful rocking ability. You may wish Fogerty had thrown a few more tracks on this 34-minute disc — especially since the 10 here are so uniformly wonderful.

Jeff Monk
Rhapsody
Symphony of Enchanted Lands II - The Dark Secret
(SPV)

B

Rhapsody

Website: www.mightyrhapsody.com
Yorick, plug in ye olde electric guitar and summon the Italian bards of Rhapsody — we have much neo-classical metal to play before the forces of darkness sweep across the land. No, Yorick, there’s no time for a flagon of ale or the whittling of multi-sided dice. The evil hell-god Necron reawakens, and he is greatly pissed. Only with overblown operatics and grandiose classical riffs can we hope to vanquish Necron. Perhaps we might despatch a messenger to entreat the mighty Christopher Lee to provide narration for our holy metal symphony. Bring forth thunderous drum beats, tremolo guitars, soaring vocals and a special edition DVD of Return of the King — for after the battle. Many will not understand our obsession with harpsichord, recorder and the sound of trickling brooks, but many also do not understand the divine power of prog metal.

Mike Warkentin
Stompin’ Tom
And The Hockey Mom Tribute
(EMI)

C+

Voice in the Wire

Website: www.StompinTom.com
Someday Stompin’ Tom Connors will leave us for the great barroom in the sky, and all Canadians will shed a tear in their beer for the legendary master of the musical maple leaf. For his latest offering, Connors veers not from the formula that has set his name in popular music stone north of the 49th parallel. The title track is a boyhood reminiscence that taps into the unified national memory bank perfectly. There are the classic boat-wreck odes, train analogies, wacky but heartfelt love songs and even a remake of a Stompin’ classic from 1971. It’s dopey and divine, goofy and godlike all at once. Connors sounds just a bit tired on this album — he is getting a tad long in the tooth after all — but for fans of his homespun, Canuck-centric ditties, Hockey Mom will be a joy to own.

Jeff Monk
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