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Uptown Magazine - Winnipeg's Online Source for Arts, Entertainment & News
April 28, 2005
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CD Reviews

Amon Tobin
Splinter Cell Chaos Theory
(Ninja Tune)

B+

Amon Tobin

Website: www.ninjatune.net

The goal in Tom Clancy’s Splinter Cell Chaos Theory video game is to stop China, Japan and North and South Korea from starting the Third World War. Listening to this disc is a lot simpler and will leave your nerve endings un-frayed. While there is a whole team of percussionists, drummers and flutists on this soundtrack, the samba lessons are MIA. The feel of the disc is very undercover-esque and had me and my cats sneaking around the house, checking around corners for mysterious men with knives and ninja skills. With freakishly frightening string arrangements on Ruthless and quick-paced drum and bass on Displaced, you’ll go from tense to neurotic before the frantic Kokubo Sosho Battle. This isn’t just a soundtrack, it’s a must-have for Amon Tobin fans.

Shannon Ander

Destiny’s Child
Destiny Fulfilled
(Columbia Records)

D

Destiny’s Child

Website: www.columbiarecords.com

Poor Kelly and Michelle. We all know the only destiny Beyoncé fulfilled on this album was her obligation to the girls to put out another album. But a star can only take so much. Between commercials, movies and her booming solo career, Beyoncé’s going to need to find time to cut the other children loose for good. This album is simply dead boring, and I can’t sympathize with ballads about rich women done wrong by their men. No wonder men treat them like crap if they practice harmonizing all day long. With track titles such as T-shirt, this is likely Destiny’s Child’s last and worst album. There just aren’t any memorable hits like Say My Name or Bills, Bills, Bills (which Kelly and Michelle will soon need help paying). Say No, no, no to this album.

Shannon Ander

Groove Armada
Groove Armada: The Best Of
(Jive/Zomba Recording Corp.)

B+

Groove Armada

Website: www.grooveymusic.com

Oh snap! This energetic assortment of hit material by U.K. dance act Groove Armada has certainly captivated my attention. In fact, just listening to this nostalgic collection has released me from any previous misconceptions and empowered me with renewed interest. The group’s recent opus contains a host of funky tracks, including a few of its patented psychedelic instrumentals, such as In My Mind (Blue Skies), for those reflective moments. Just a little sumthin’ sumthin’ for those trips down memory lane. However, tunes such as the rhythmic Easy should provide adequate inspiration for crowds of intoxicated ravers to get up and groove. After becoming hypnotized by its trance-like vocals and raptured into a state of nirvanic consciousness, you’ll need the services of the Amazing Kreskin to administer an antidote.

Horace Carrington

John Butler Trio

Sunrise Over Sea
(Lava Records)

B

John Butler Trio

What You Want EP
(Lava Records)

C+

John Butler Trio

Website: www.johnbutlertrio.com

John Butler was born in California but moved with his family to Western Australia at the tender age of 11. His talents seem to have been developed somewhat equally in both locations. The California upbringing appears to have affected his songs lyrically, as on his odes to love, living in harmony with nature and an iconoclast’s view of politics. Musically Butler portrays the same kind of nervy excellence that loads of his Down Under countrymates have delivered throughout the rock era. He is a particularly skilled slide guitarist/banjoist, and rather than channel his muse into the typical blues form he instead builds some very cool and tight acoustic rock songs. Album opener Treat Yo Mama is a funky, near-jazzy burner that crackles with energy. Butler’s voice is reminiscent of the throaty yodel of Anthony Kiedis — minus the tone-deafness. The EP What You Want pulls two tracks from Sunrise..., as well as Across the Universe and a 12-plus-minute extended version of Betterman. There’s also a video clip of Treat Yo Mama. Start with the full album.

Jeff Monk
Twilightning
Plague-House Puppet Show
(Universal/Spinefarm)

C+

Twilightning

Website: www.twilightning.net
Power metal from Finland? As if. Plague-House Puppet Show is the sophomore full-length from the sextet Twilightning and is packed with big riffs and screeching leads, operatic vocals, galloping beats and the occasional Van Halen synth. While the formula works well on tracks such as the title cut, other songs lack a certain edge and come off as a bit fluffy and pretty. Take the track Into Reason, for example. Its overly grandiose wails and pompous instrumentation seem to recall the later days of Def Leppard, and the cut could almost be classified as hair metal. In fact, these guys can sometimes sound like the Bon Jovi of the Eurometal world. I have a sneaking suspicion they make the devil horns with the thumb out, if you get my meaning, and I bet they don’t hang out with the badasses from In Flames. That isn’t to say this disc blows, only that Plague-House Puppet Show should be considered something of a training bra for budding metalheads. Listen to this disc a few times then strap on some Hammerfall for full barbed-underwire support.

Mike Warkentin
Elefant
Sunlight Makes Me Paranoid
(Hollywood Records)

B+

Elefant

Website: www.elefantweb.com
Elefant has nothing in common with the massive, lumbering animal. With a sweet sound that won’t step on you, Sunlight Makes Me Paranoid is full of lovely melodies, soothing sounds and ivory-smooth production. If The Killers teamed up with Ryan Adams — at his most sensitive of moments — and wrote something relaxed and love themed, it would sound something like Elefant. Just listen to Love. The melody sounds borrowed from an Adams song but Elefant makes it their own enchanting tune. The only downfall of this album is that you may wonder if the group can write about anything besides love — and Tonight Let’s Dance is as cheesy as Van Halen’s Dance the Night Away. If you can get past a couple of gag-inducing, overly mushy duds, this is a great album.

Jared Story
The O.C.
Mix 4
(Warner)

C+

The O.C.

Website: www.musicfromtheoc.com
The O.C. — the hit TV show where young, pretty people sleep with other pretty people whose pretty parents sleep with other pretty parents, all in pretty California. Pretty depressing for Winnipeggers. But the show has managed to put together a soundtrack that can be described as... well, pretty good. The Futureheads kick things off with Decent Days and Nights, a catchy pop-rock tune with that Franz Ferdinand/Killers sound. Scarecrow, by Beck is an irresistible, bluesy little number, that sounds fresh and new. Not every track’s great; in fact, most are just average. Take matt pond PA’s rendition of Oasis’ Champagne Supernova. The cover doesn’t sound much different than the Oasis version, which begs the question why The O.C. didn’t just go ahead and get the Gallagher brothers’ permission to use the original. You’d think those rich, pretty people could afford the real thing.

Jared Story

Various Artists
Cold Heat: Heavy Funk Rarities 1968-1974 Vol. 1
(Now Again Records)

A

Cold Heat: Heavy Funk Rarities 1968-1974 Vol. 1

Website: www.stonesthrow.com

In music there are those who got there first and then the hundreds who followed, trying to get a crumb off the table of musical success. James Brown and his band may have been the most obviously successful heavy funk-a-teers, but in every two-bit studio across America in the late ’60s/early ’70s there were many soul brothers and sisters working steadfastly to get hits built on the funky foundation that Brown commercialized. Cold Heat delivers no less than 16 amped-up throw-downs that should come with a dance-floor-filling guarantee. Suffice it to say that blasting combos with names like The Soul Seven and The Detroit Sex Machines live up to the haughty handles with pride. These are the scorching jams for the ages, released from their dusty tombs to funk the Earth again! Funk In Excelsis Groovy.

Jeff Monk

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