There’s a metaphor in here somewhere
Brand New frontman talks music while watching python unleash the fury on a rabbit
Jen Zoratti
Musicians
tend to get up to some pretty weird shit when I talk to
them on the phone. Aussie neo-hippie Xavier Rudd got a
full acupuncture treatment when we last spoke, for example — but
Brand New frontman Jesse Lacey takes first prize.
“I’m watching a python eat a rabbit,” Lacey says. Disturbingly
enough, he’s not watching TV. “We’re in South Carolina right
now, in the swamps, and there’s this conservatory behind where we’re
staying. This is pretty crazy.”
One can only guess Brian Lane (drums), Garrett Tierney (bass) and Vinnie Accardi
(guitar) are similarly enjoying the show.
According to Lacey, such scenic perks make downtime on tours exciting, even when
playing a couple hundred shows a year. Yes, the Long Island-based hardcore quartet
has been on the road since February in support of third outing The Devil and
God Are Raging Inside Me, and the tour dates will stretch well into August.
“When we first started, all we knew was touring. We thought, ‘When
you’re a band, you play shows.’ We have done over 200 in the past
year, and we’re already 40 days into this current tour.
“There are a million parts that are great and a million things that aren’t.
You get to travel and you see things — like snakes eating rabbits — but
being away from home gets hard.”
Released in November, The Devil and God… is the long-awaited follow-up
to the band’s ultra-hyped 2003 sophomore outing Deja Entendu, a record
that marked a changing musical trajectory for the band and sparked an insatiable
hunger in fans and critics to see what would happen next.
However, much like the python with its rabbit, the media was given ample time
to digest Deja Entendu. Alternative Press put the band on its cover in late 2004
as part of its most-anticipated-albums-of-2005 issue, but a new album didn’t
materialize until late 2006.
“We took that time to just not focus on band stuff,” Lacey says. “The
misconception is that we took three years to make a record. No, we took two years
to live. The band just had to take a back seat for a while. I don’t think
we’re the kind of people that would be able to make music if we couldn’t
experience life in a normal way.”
Stepping away from the band and the buzz fuelled by Deja Entendu seemed to benefit
Brand New. The Devil and God… is an atmospheric, genre-spanning record
that manages to live up to the lofty expectations set upon it.
“I think we did cross the boundaries of what people think of Brand New.
And there was no reason not to try stuff,” Lacey says. “We’re
not in this for sales or fame or acclaim.”
Acclaim, however, is something the band is racking up — from four-star
reviews to stupidly bold statements about Brand New being “America’s
Radiohead.”
“That makes me think, ‘Why do we need to be America’s Radiohead?’” Lacey
says. “In a lot of ways it’s a bummer because people start to think
you’re trying for that.”
Still, Brand New hopes to draw one thing from the U.K.’s art-rock mopesters.
“Radiohead is a band that still manages to make valid, beautiful music
without compromise yet still are able to appeal to so many people,” Lacey
says. “That idea is what we aim for.”
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